There has been a trend toward bigger and bigger lenses, sacrificing weight savings and portability for ultimate image quality and mind-blowing apertures. And while few will argue against improved image quality, sometimes, you just do not want to lug around a huge chunk of glass. This great video review takes a look at a lens that embraces portability: the Sigma 45mm f/2.8 DG DN Contemporary.… Read More
For many photographers, a good 85mm lens camera is simply indispensable. For full frame cameras, there are plenty of options; however, for those that shoot with an APS-C camera, options are somewhat limited. Fujifilm is one of the companies that offers something brilliant in this range, and I wanted to test and compare it to a full frame “equivalent.”… Read More
Panasonic has added two much-anticipated lenses to its “S Pro” lineup of L-Mount lenses for the full-frame mirrorless Lumix S1, S1R and S1H cameras: The Lumix S Pro 70-200mm f/2.8 O.I.S. and the Lumix S Pro 16-35mm f/4.… Read More
Sigma has announced the new 24-70mm f/2.8 DG DN Art lens for full-frame mirrorless cameras. It’ll be available at launch for the E-mount by Sony and the L-mount by the Leica/Panasonic/Sigma L-Mount Alliance.… Read More
In addition to releasing three sort-of-macro wide-angle prime lenses for its FE lineup, Tamron also announced the development of the highly-anticipated f/2.8 telephoto zoom lens for the Sony E-Mount: the 70-180mm f/2.8 Di III VXD.
Earlier today, Samyang/Rokinon unveiled the new AF 14mm f/2.8 RF lens: a wide-angle prime that becomes the first third-party autofocus lens for Canon’s full-frame mirrorless RF-Mount.
The AF 14mm f/2.8 RF promises a 113.9° angle of view, minimal distortion, and “fast and precise autofocus function” inside a weather-sealed, compact design that’s only 9.5cm (3.75in) long and weighs 484g (1.07lbs).